Indie pop has a way of making heartbreak sound beautiful, and Heidi Eldest’s debut single, Come On Baby, is a stunning example of that balance between pain and power. With shimmering guitars, hypnotic drums, and ethereal vocals, Eldest crafts a song that feels both deeply personal and universally relatable. This is a track for anyone who has ever found themselves caught in the intoxicating chaos of a fleeting romance—where love and detachment blur into something both irresistible and unsustainable.
From the opening moments, Come On Baby establishes itself as a force to be reckoned with. The strong, steady drumbeat pulls the listener in, creating an almost hypnotic effect. Then, the bass kicks in, adding a weighty depth to the mix, while a reverb-drenched atmosphere hints at something both dreamy and melancholic. But just as you settle into the song’s moody, immersive soundscape, the sharp, cutting lead guitar line pierces through, setting the stage for Eldest’s haunting first verse:
“Come on baby, you know you don’t mean nothing to me / But your hands are in my hair, your clothes are in my room and we’re falling apart at the seams.”
With just a few lines, Eldest paints a picture of a relationship teetering on the edge—full of physical closeness yet emotional distance. It’s a contradiction that runs throughout the song, capturing the push and pull of modern love, where true connection always feels just out of reach.
Fans of artists like Soccer Mommy, Wolf Alice, and Beabadoobee will find a lot to love in Come On Baby. There’s a quiet confidence in Eldest’s delivery, a kind of raw vulnerability that doesn’t beg for sympathy but instead stands firmly in its own truth. The track’s production is both lush and restrained, allowing each element—guitars, drums, bass, and keys—to shine without overwhelming the song’s core emotional weight.
One of the song’s greatest strengths is how it balances indie pop’s dreamy qualities with something darker and grittier. The guitars shimmer but also cut. The drums feel steady but urgent. And Eldest’s vocals? Airy and ethereal, yet filled with quiet intensity. It’s this contrast that makes Come On Baby so compelling—it sounds like floating in a haze of heartbreak, both beautiful and painful at the same time.
Beyond its mesmerizing instrumentation, Come On Baby stands out for its lyricism. The song isn’t just about heartbreak; it’s about the complex emotions that come with being in a relationship where you know you’ll always come second. There’s a resigned kind of strength in the lyrics, as if the narrator is fully aware of the situation but unable—or unwilling—to walk away.
The song dives into themes of self-worth, fleeting passion, and the emotional aftermath of being someone’s second choice. But instead of wallowing in sadness, there’s an undercurrent of empowerment. Eldest doesn’t just sing about heartbreak; she sings about surviving it. Come On Baby is a song for those who have loved deeply, lost quietly, and come out the other side stronger.
For a debut single, Come On Baby is remarkably assured. It introduces Heidi Eldest as an artist who knows exactly what she wants to say and how she wants to say it. Her sound is polished but not overproduced, emotional but not overly sentimental. This isn’t just another indie pop song about heartbreak—it’s a carefully crafted, deeply felt anthem that lingers long after the last note fades.
Beyond the music itself, Eldest’s presence in the indie scene is important. As a mixed-race artist in alternative music, she hopes to be the representation she didn’t always see growing up. Her openness, both in her music and in her message, is refreshing and needed.
Come On Baby is more than just an impressive debut—it’s a song that demands attention. With its haunting melodies, piercing lyrics, and beautifully layered production, Heidi Eldest has crafted a track that feels both timeless and incredibly current. It’s a song that speaks to the complexities of modern love, the pain of knowing something is temporary, and the quiet strength that comes with accepting it anyway.
Connect with HEIDI ELDEST on
English