The reemergence of Delta of Venus with their latest EP, Disengaged b/w Slipping, feels like a thrilling echo from the past, paired with the undeniable freshness of reinvention. For a band that began as an experimental project in the early ’90s—formed by friends taking up instruments they couldn’t even play—this new release reflects both the essence of their unconventional origins and the polish gained through years of evolution. With its textured soundscapes and an inventive approach to songwriting, Disengaged b/w Slipping is a striking return to form for the Mystic-based outfit.
Delta of Venus’ history reads like a roadmap of indie experimentation. Beginning in 1993, their deliberate rejection of conventional musicianship set the foundation for their unique sound. It’s a story of creativity thriving through limitation, where untrained hands produced raw, original work. From early cassette releases and live drum-machine collaborations to a brief flame of mid-’90s recognition, the band built a reputation for boundary-pushing music before dissolving in 1997 under the weight of real-world pressures.
Fast-forward to 2022, and founding member Ellery Twining’s solo releases rekindled his creative fire. By reaching out to original members Shawn Fake and Mat Tarbox, Twining catalyzed a new phase for Delta of Venus. Despite the absence of original guitarist and vocalist Dawn Estabrooks, the addition of new vocalist Issy has breathed new life into the project, resulting in a sound that bridges their experimental past with a refined, modern vision.
Disengaged b/w Slipping stands out immediately for its refusal to conform to typical verse-chorus-verse frameworks. Instead, Delta of Venus constructs tracks as intricate sonic movements that swirl and evolve, echoing the ethereal and introspective qualities of shoegaze while incorporating a distinct indie-pop sensibility.
On the A-side, “Disengaged” builds a lush and immersive soundscape, where layers of shimmering guitars and programmed beats create a sense of suspended tension. The absence of traditional choruses feels deliberate, with instrumental motifs flowing in and out like waves. Issy’s vocals, recorded in a whirlwind three-hour session, are nothing short of revelatory. Her voice weaves effortlessly into the sonic fabric, adding a haunting yet grounded presence that complements the band’s dreamlike compositions.
The B-side, “Slipping,” takes a more melancholic yet equally intricate approach. Here, the band’s musical movements feel almost like a narrative, shifting dynamics and textures to evoke a sense of both disorientation and beauty. Shawn’s live drumming anchors the track while maintaining a loose, organic feel, balancing the electronic elements with human warmth.
Delta of Venus’ interpretation of shoegaze and indie pop is one of the EP’s most compelling aspects. While they retain the genre’s signature qualities—lush reverb, swirling guitars, and introspective tones—they’ve sidestepped its clichés in favor of a more architectural approach. The result is music that feels intentional and carefully constructed, rather than aimlessly drifting.
This evolution likely stems from Ellery Twining’s solo work, which seems to have refined his approach to songwriting. While the tracks are undeniably experimental, they feel cohesive, as if each note and layer has been meticulously considered. The seamless blend of live instrumentation and programmed elements only underscores the band’s ability to innovate within established genres.
Perhaps the most exciting aspect of Disengaged b/w Slipping is the addition of vocalist Issy. In what feels like a serendipitous twist of fate, Issy’s chance encounter with Ellery at Mystic Disc led to her becoming the band’s new voice. Her performance is both understated and captivating, a perfect match for the band’s layered, atmospheric sound.
During the recording session, producer Eric described her performance as “a gem,” and it’s easy to see why. Issy’s ability to convey vulnerability and strength in equal measure elevates the EP, bringing a fresh perspective to Delta of Venus’ already dynamic sound.
Disengaged b/w Slipping isn’t just a comeback for Delta of Venus—it’s a reinvention. By leaning into their history of experimentation while embracing new voices and techniques, the band has created music that feels both timeless and timely. The EP’s intricate soundscapes and unconventional structures challenge the listener to engage with the music on a deeper level, rewarding those who take the time to get lost in its layers.
For fans of shoegaze, indie pop, and the broader indie rock spectrum, Disengaged b/w Slipping offers a refreshing take on familiar sounds. But even beyond genre enthusiasts, the EP serves as a testament to the power of reinvention, proving that sometimes, a break from tradition is exactly what’s needed to create something extraordinary. Delta of Venus’ latest release signals not just a return to the music scene, but a bold step forward—one that reminds us why they were worth listening to in the first place.
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