Tag: music reviews

There’s a fine line between confidence and self-awareness, and what makes Conor Maradona interesting is how comfortably he sits somewhere in between. An Apology Letter To All My Ex-Girlfriends doesn’t feel like an artist trying to present a polished image. It feels like someone leaning into their flaws, their humor, and their perspective, and building…

What I like about “Her Name” is how it plays with contrast without making it obvious. On the surface, Crissi Cochranedelivers something that feels smooth and easy to listen to, almost relaxed in its tone. But underneath that, there’s a tension that slowly creeps in, and that’s what gives the track its edge. The song…

Film scores usually work best when they stay in the background. White Gold (Original Soundtrack) does the opposite. With this release, Michael J McEvoy creates something that stands on its own, even without the film. It’s still clearly tied to a story, but it feels complete as a listening experience rather than just accompaniment. What…

What I find most compelling about En variant av himlen is how inward it feels. With this album, Urban Hane isn’t trying to present answers or polished conclusions. Instead, it comes across like a series of reflections, almost like fragments of thought captured in sound. There’s a tension running through the entire record between wanting…

There’s something unsettling about “Grace” that stays with you long after it ends. With this release, Third Bloom leans fully into atmosphere and emotion, creating a track that feels less like a song and more like an experience you have to sit through. What immediately stands out to me is the scale of it. At…

There’s a certain sharpness to Ten New Toe-Tappers for Shoplifting & Self-Mutilation that makes it clear Tom Minor isn’t interested in playing things safe. This record feels like a continuation of his debut, but with more confidence and a clearer sense of identity. It leans fully into what he calls “existential indie,” and for me,…

What I find most interesting about “Interlude” is how much thought sits beneath the surface. On first listen, ALOTHEpresents something that feels smooth and nostalgic, almost like a late-night jazz piece drifting through a dimly lit room. But the more you sit with it, the more you realise there’s a deeper layer running underneath that…

What stands out to me about “Americans” is how grounded it feels. With this release, TONEai doesn’t try to disguise its message behind abstract ideas or heavy symbolism. It’s direct, but not aggressive. There’s a sense of clarity in the way the song is written that makes it feel more like a reflection than a…

There’s something very personal about “The Forest” that hits almost immediately. With this release, Tia Lamb leans fully into introspection, building a song that feels less like a performance and more like a moment of emotional release. It’s the kind of track that doesn’t try to explain everything clearly, instead letting metaphor and mood do…

Instrumental guitar pieces live or die by atmosphere, and with “Rapids,” Martin Howard manages to create a strong sense of movement without using anything more than a single nylon-string guitar. What started as a technical exercise turns into something much more musical, and that’s probably what makes the track interesting. You can hear the discipline…