With his newest album Lampin’, Synthonic delivers a chilled-out, groove-driven journey that feels like a warm breeze on a summer evening. Released on May 23rd, 2025, the album is a love letter to the laid-back vibes of the ‘90s acid jazz scene, elevated by modern production and a lineup of exceptional collaborators. Based in Sidmouth, England, Synthonic (aka Kieron Garrett) has carefully crafted a collection of tracks that merge nostalgia and innovation, creating a smooth, stylish listening experience that resonates with both seasoned jazz-funk lovers and new fans alike.
The term Lampin’—an old-school slang for “chillin’”—sets the tone perfectly. From start to finish, the album embodies that state of relaxed cool. There’s no rush here, no aggressive build-ups or forced experimentation. Instead, each track flows naturally, anchored in lush arrangements and grooves that are funky without being flashy.
Drawing inspiration from icons like Jamiroquai, Stevie Wonder, Anomalie, and Incognito, Synthonic brings his own flavor to the table. The title track “Lampin’” and standout single “All Day, Every Day” serve as the album’s heart, blending infectious rhythms with intricate horn harmonies and smooth, soulful energy. It’s no surprise that these two tracks are personal favorites of the artist—they capture the essence of what this album is about: groove, harmony, and good vibes.
While Synthonic’s production chops shine throughout, part of what makes Lampin’ truly stand out is the caliber of musicians he brings into the fold. Tenor saxophonist Vasilis Xenopoulos, trumpeter Jack Birchwood (of Blackjack Horns), bassist Valere Speranza, and guitarist Jeremy Dunning all lend their talents to the album, helping to flesh out a sonic palette that’s rich, dynamic, and emotionally resonant.
Tracks like “El Paseo” with its sidechained textures, or “The Quirk” featuring reversed Rhodes, show that Synthonic isn’t afraid to experiment—but always with intention. Every detail serves the mood. Even the horn parts—often written in complex three- and four-part harmonies—never feel overly academic. They add layers of sophistication without ever sacrificing the chill factor.
What’s especially impressive is that the entire album was recorded in Synthonic’s home studio. Some of these tracks have been in the works for up to four years, and that long-form attention to detail really shows. The album’s sound is tight, clean, and professional, yet it retains the personal warmth of a true passion project.
There’s also something beautiful about how Lampin’ came to life not just in the studio, but also on stage. Just a day after the album’s launch, Synthonic Live played on the main stage of the Sidmouth International Jazz & Blues Festival, supporting none other than UK soul/pop icon Gabrielle. It’s a fitting showcase for an artist whose sound blends genre fluidity with pure musical joy.
In a time when music often races to capture attention with shock value or oversaturated hooks, Lampin’ stands out by doing the opposite. It invites you to slow down, tune in, and let the groove carry you. Whether you’re deep in a listening session with headphones or letting the tunes play in the background during a lazy Sunday afternoon, this album adapts to the mood—and often sets it.
Lampin’ is more than just a cool record—it’s a confident statement from an artist who knows exactly what he wants to say. It doesn’t shout. It doesn’t overreach. Instead, it smiles, leans back, and plays the kind of music that feels timeless. Synthonic has managed to blend intricate jazz musicianship with smooth, funky textures in a way that feels effortless but never lazy.
If you’re into acid jazz, funk, or chilled-out grooves with a modern touch, this is an album worth diving into.
Connect with SYNTHONIC on
English