With the release of Spaces and Places on November 1st, 2025, Eunice, Louisiana’s own J Dulva (the artistic moniker of Jack Miller) delivers a bold, boundary-reshaping album that pushes far beyond genre lines and embraces a restless, exploratory spirit. Known for his deep affection for melody and his constant drive to expand his musical vocabulary, J Dulva crafts an album that feels both intimate and vast—an invitation into a sonic landscape shaped by decades of listening, study, and lived experience.

Recorded at Poolside Studios in Eunice, LA, the album features a rare level of artistic autonomy: every part is written and performed by Dulva himself. This gives Spaces and Places a rare cohesiveness, despite its fearless fusion of influences. Dulva draws heavily from the worlds of Paco de Lucía, Igor Stravinsky, and Béla Bartók, weaving classical structures with flamenco passion, jazz harmony, and the raw edge of rock. The result is a body of work that can shift from delicate intricacy to bold rhythmic drive, yet always maintains Dulva’s signature guiding principle: “Mostly, the melody is everything.”

Part of what makes this album so engrossing is its balance between through-composed pieces and improvisatory tracks. Dulva approaches composition with a scholar’s attention—constantly studying master composers—yet he maintains a performer’s instinct for spontaneity. This blend gives Spaces and Places both clarity and unpredictability. Some tracks unfold with architectural precision, while others breathe freely, shaped moment by moment in real time.

The album is also deeply shaped by Dulva’s weekly residency at Poolside Studios, where he refines his craft in front of intimate audiences. That live-inspired fluidity comes through in the recording, giving the music an immediacy that keeps the listener alert and engaged. Even in its most complex passages, there’s a palpable sense of performance—of fingers on strings, of risk, of discovery.

What’s most striking is how effortlessly Dulva fuses genres that might, in lesser hands, feel incompatible. He places classical counterpoint beside jazz phrasing, layers flamenco-inspired rhythms into rock-edged harmonic movement, and shapes it all into a cohesive narrative. Rather than presenting a collage of styles, he offers a singular voice shaped by many worlds.

Spaces and Places arrives two years after his previous release, marking a significant chapter in Dulva’s ongoing artistic evolution. While his earlier work showcased his technical ability and love of jazz, this album feels more expansive—almost like a personal manifesto. Dulva makes clear that he intends to keep producing at a prolific rate, and this album stands as evidence of a creative momentum that shows no signs of slowing.

Ultimately, Spaces and Places is an album that begs to be heard from start to finish, as Dulva himself suggests. It’s a journey rather than a collection—a series of environments, moods, and moments meant to immerse the listener. For those drawn to genre-bending musicianship, melodic depth, and inventive composition, this album is not only significant—it’s essential.

A brilliant entry into Dulva’s growing catalog, Spaces and Places cements him as a forward-thinking artist with a powerful voice and a limitless creative horizon.

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