Unveiling the Layers of “E poi non ridi più”: A Deeper Look into Gli Incubi di Freud’s Latest Single

Gli Incubi di Freud, the Italian alternative rock band, has released a thought-provoking single titled “E poi non ridi più,” challenging the contemporary perception of laughter. In this article, we’ll delve into the layers of this release, exploring its lyrical depth, musical composition, and the band’s overall philosophy.

The single opens with the assertion, “Laughter is a very serious thing.” The band, led by Joshua McFarrow, emphasizes the unfortunate transformation of laughter into a passive-aggressive tool, particularly evident in the realm of social media. The song, described as danceable and laughable pop rock, aims to highlight the beauty and seriousness of laughter, addressing its decline and mistreatment in recent times.

“E poi non ridi più” serves as a seemingly light-hearted but subtly caustic warning about the undervalued nature of laughter. The lyrics touch upon the contemporary tendency to mock and ridicule opposing views through laughter, turning a once genuine form of expression into a weapon of avoidance.

The song’s verses poignantly expose contradictions in human behavior, illustrating behaviors that are both reprehensible and laughable. The chorus, featuring a reimagined proverb, underscores the potential for genuine laughter and shared openness. It challenges listeners to reflect on their own dissatisfaction and consider finding satisfaction in what they already possess.

Musically, the song’s foundation is built around a lively walking bassline that infuses a sense of lightheartedness. The guitars harmonically complement this intention. Notably, the bridge features a guitar solo that introduces a dreamlike and reflective atmosphere, accompanied by synths and arpeggiators. This section, arranged by Frank Micucci, the band’s artistic producer, captures a sick dystopia, emphasized by mocking laughter intensifying towards the final chorus.

Drawing musical comparisons, the article suggests that “E poi non ridi più” carries echoes of Feeder’s “Seven Days in the Sun” with a touch of Samuele Bersani’s youthful spirit. This fusion creates a unique musical landscape that aligns with Gli Incubi di Freud’s artistic vision. Gli Incubi di Freud, a collaborative effort centered around Joshua McFarrow’s introspection, emerges as a solo dystopia in the alternative talkative rock genre. The band’s use of psychotherapeutic terms reflects the project’s foundation in personal experiences and studio sessions. The band’s debut EP, “Sistole,” released in December 2021, sets the stage for their exploration of psychological themes.

“E poi non ridi più” by Gli Incubi di Freud is a multifaceted exploration of laughter’s transformation in the 21st century. Through its insightful lyrics, dynamic musical composition, and thought-provoking philosophy, the single encourages listeners to reconsider the value of genuine laughter and shared openness in a world marked by passive-aggressive tendencies.

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1 thought on “Unveiling the Layers of “E poi non ridi più”: A Deeper Look into Gli Incubi di Freud’s Latest Single”

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    with it better. Youve got an awful lot of text for only having one or 2 images.
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